this Category populates the Exhibitions page of the website

Layered:

new works on paper and in video by Kristen Freitas

May 2nd – 28th

Layers suggest depth and mystery over a vast range of entities from geological strata to historical representations of events to the recess of the human psyche, and, in all cases, it is rarely the most accessible layer that offers up the most profound truths. In Layered, Kristen Freitas exhibits the results of her recent explorations of materials and their contrasting, layered personalities, bringing to life both playful and intriguingly complex interrelationships between layered textures and chroma.

Works on paper reveal the natural beauty of the paint in its infinite response to manipulation by brushes and tools, by both invention and opportune accident, obscurantism and revelation. Videos present yet another set of conversations using the concealing and revealing powers of layers. In Layered, Freitas seeks to elicit from these diverse media both the direct and sensual pleasures of the eye as well as the subtler, more telling, and enduring responses of the emotions.

Opening Reception:
Saturday, May 2nd, 6-9 pm

Third Thursday Reception:
May 21st, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

Metaphors & Metamorphoses

Leigh Hall and Suzanne Mercury

April 4th – 26th

Atlantic Works Gallery is pleased to present Metaphors &Metamorphoses, a lyrical and meditative exhibition which combines sculptural and mixed media images of insects, mirrors, and fragmented language, and explores the weird aerial and liminal physicality of the constantly changing natural world in all its beauty, charm, and strangeness.

Leigh Hall has been fascinated with insects and arachnids all of her life. She also has a tendency to collect scraps of metal with interesting shapes and textures. For this exhibit she combines those two interests in a collection of sculptures depicting various creatures, both real and imaginary.

Suzanne Mercury creates mixed-media assemblages using found objects, old books, LED lights, glass, gold, tree branches, and all manner of odd and natural materials. For this exhibit, she has also created a series of “haptic poems” in etched mirror and glass, which explore where language overlaps with what is dreamlike, ephemeral, and inexpressible.

Opening Reception:
Saturday, April 4th, 6-9 pm

Third Thursday Reception:
April 16th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

Inner Investigation/ Hidden Truths

George Shaw and Marjorie Kaye

March 6th – 28th

“A Persian rug is perfectly imperfect and precisely imprecise,” as it is said.  A flaw is deliberately included to represent humility, and to honor God, or Spiritual Intelligence.

When considering the relationship between Classical form and the Romantic in visual art, the “flaw” in the human gestalt, the romantic and irrational beauty of emotion and expression, fills a perfect mirror of the universe, the pristine Classical structure.  The rhythm of creation includes the passion of human existence.

The Golden Ratio, which is a system of order in the universe striving for eternal beauty and perfection, is present in the works of both painter George Shaw and sculptor Marjorie Kaye.  Both artists inject aspects of the Romantic into this form.  Shaw works the surface in a combination of oil paint and wax medium, textural mapping within a clean, geometrical composition.  His work investigates the area between conscious reflection and the otherworldliness of another dimension of reality.  The paintings are a balance between self-knowledge and unknown sources of experience.  The act of searching, reflection, discovery and manifestation take place at once in a skeletal form of geometric truth.  Kaye’s wood sculptures, on the other hand, utilize classical structure as a vehicle for blatant expression of joy and spiritual rapture.  They are boldly color-saturated and organic.  The forms point upward from a centrifugal base, hunting and seeking.  The questions and the answers rapidly become intertwined.  Time is visualized, stretched, emoted.  The forms contain and suggest energetic direction, almost to the point where observation stands on the edge of a physical experience.

Within the works of both artists, subjective expression is contained within the objective means of composition.  It is this realization of the harmonious in nature, the overwhelming presence of the divine unknown, which unifies structure both recognizable and mysterious.   This enables the passion and complexity of the expression of being to emerge within form.

Opening Reception:
Saturday, March 7th, 6-9 pm

Third Thursday Reception:
March 19th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

KOPEC REED SHATIL SHOOK WARREN:

work by the new members of  Atlantic Works

January 31st – February 21st

Opening Reception:
Saturday, January 31st, 6-9 pm

Third Thursday Reception:
February 19th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

Pyromania

a group exhibiton

January 9th – 24th

Pyromania, an idea so exotic that we need to reach beyond English to the language of archetype to contain it. In a group show this January 9th-24th, gallery members will explore its meaning in permutations ranging from hearth and home to smoldering libido to Miltonian abyss.

And you thought only firemen were closet pyromaniacs…

Third Thursday Reception:
January 15th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

Cool and Distant

new work by Michael St. Germain

December 6th – 28th

Atlantic Works Gallery is pleased to present “cool and distant”, a quiet and quirky exhibition of smaller-than-life paintings, drawings, and objects by Michael St. Germain. “Cool and distant” reveals the unexpected, humorous and poignant visual adventures of an artist more versed in artistic process than emotional self-awareness.

Opening Reception:
Saturday, December 6th, 7-9 pm

Third Thursday Reception:
November 18th, 6-9 pm

Gallery Hours:
December 12-20: Fridays and Saturdays, 2-6pm or by appointment.

echo:

new work by Matthew Keller and Charlene Liska

November 7th – 29th

Echoes operate across time as well as space, manifesting as fractured versions of the original. A broken connection is bridged, a communication seeming to come at once from someone we know and from a complete stranger, and we discover something intimate about ourselves the way another person would, meeting us for the first time, true and false impressions treaded together, indissoluble.

Echo is Liska’s response to a very old house with a very complex history.

For Keller, Echo is an exploration of home and memory, the interplay or emotions – discontent, ambivalence, regret, nostalgia – iterated in verbal and visual media. Old familiar objects are broken down and reassembled in ways that can double back on the source, both distorting and enriching. Memory is at once corrupted and purified. Nothing is static.

Opening Reception:
Saturday, November 8th, 6-9 pm

Third Thursday Reception:
November 20th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

Paper Rock Scissors:

Collaboration by Rick Dorff and Bo Petran

October 4th – 25th

Atlantic Works Gallery is pleased to present a process-oriented collaboration by Rick Dorff and Bo Petran in which Dorff and Petran will carry on an intense dialogue in the spirit of play using a variety of found and scavenged materials and a host of miscellaneous objects, lasting from inception until the show’s last moment. By means of interactive play, including games and mess-making, they will explore how influences such as chance, competition and inspiration can determine their interactive processes and outcomes.

Czech-born Bo Petran uses abstract expressionism as a springboard from which to create site specific installations which make use of non-traditional materials and methods. His interest is in reconfiguring the process of art making and viewing.

Rick Dorff works in the realms of sculpture and installation, shows work at AMP Gallery in Provinetown, MA, and works with the Fort Point Theater Channel, Boston.

Opening Reception:
Saturday, October 4th, 6-9 pm

Third Thursday Reception:
October 18th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

Numinous: In the Spirit of Things

September 6th – 30th

What does “Numinous” look like? Two Boston visual artists take on the challenge and bring form to this idea in concurrent solo exhibitions. Artists John Kennard and X Bonnie Woods bring us wit, whimsy, and wonder with their two- and three-dimensional works.

Kennard and Woods are long-time colleagues. The theme of these exhibitions allows the two artists to delve into their notions of spirit, wonder, and play.

Woods has shown her works in the U.S. and Germany for many years. Her paintings explore the medium of traditional Japanese inks on paper in map-like conceptual pieces. She has also worked as a documentary photographer. She says of this new exhibition, “Perception and puzzles are the key. I like finding the edges between painting, printmaking, sculpture, photography, and words.“ Her work is in many corporate and academic collections.

Primarily a photographer, John Kennard’s work has been shown at a variety of venues over the years. Kennard says, “In addition to photography, this offering presents works made with materials such as eggshells and tea bags, exploring the spirit of these normally discarded items.”

Opening Reception:
Saturday, September 6th, 6-9 pm

Third Thursday Reception:
September 18th, 6-9 pm

Gallery Hours:
Fridays and Saturdays, 2-6pm or by appointment.

 Boston Biennial 3:

 a Biennial Project Production

Since it’s inauguration many years ago The Boston Biennial has become a cherished and much anticipated New England institution – not unlike Opening Day at Fenway or the Pops on the Fourth, gifting the public with exposure to cutting edge contemporary artistic practice, as well as serving an important role in invigorating and democratizing the Boston area creative community.

For The Boston Biennial , the Boston Biennial Selection Committee will again showcase a variety of the best work being produced in New England and the world, as well as to shine a spotlight on the collective that has clearly raised the bar for artistic production and theory in the area covered by the Original Thirteen Colonies (not to be confused with the Original Six NHL Franchises or the Seven Sister Colleges), namely THE BIENNIAL PROJECT.

A large screen projection will illuminate the work chosen for The Boston Biennial 3. The work chosen for the recent ArtVenice Biennale and the Biennial Roadshow Marfa will also be displayed digitally.

Additionally, the ever-expanding and dynamic membership of The Biennial Project will develop several new site specific installations and conceptual works while hopped up on diet coke and cheetos.

Don’t miss the social event of the summer season!

Gala Opening Reception
Thursday July 17th, 6-9 pm

Gala Closing Reception:
August 21st, 6-9 pm

Giant Gala Garage Sale:
Saturday July 26th, 2-6pm

The Biennial Project Retrospective:
40 Years of Our Art Special Gala Reception:
Thursday August 7th, 7pm (black tie encouraged)