Making Connections

a New Members Exhibition featuring the work of
B. Amore, Julie C Baer, Maryellen Cahill, and Beth Plakidas

February 4 – March 25

B. Amore creates multi-media wall assemblages incorporating found objects, text, photos on silk, stone, bronzed gloves. The focus of her current work honors the reality of our commonly shared humanity.

Julie C Baer’s paintings reflect close attention to the biota in her natural environment, wherever she is, and the seasonal trajectory of its life cycles: budding, blooming, pollinating, fruiting, seeding, dying, renewal. 

Maryellen Cahill incorporates textiles, fiber, and beads in her mixed media art. She takes inspiration from her travels around the globe and the beautiful cultures she has been exposed to.

Beth Plakidas uses collected and handmade objects to create intimate installations. Combining formal, conceptual, and chance elements, Beth’s work balances the absurd with the beautiful.

(clockwise from top left)
Beth Plakidas, Julie C Baer, Maryellen Cahill, and B. Amore

Group Show by
Atlantic Works artist members

January 14-28
Reception: Thursday, January 19, 6-9 pm
Gallery Hours: Fridays and Saturdays, 2-6 pm,
and by appointment

Join us for the last group show in our current space. Soon we will be moving to a new gallery on the ground floor!

curated by
Samantha Marder

December 3-30
Opening Reception: Saturday, December 3, 6-9 pm
Third Thursday Celebration: December 15, 6-9 pm
Gallery Hours: Fridays and Saturdays, 2-6 pm,
and by appointment

NOTE: December 3rd, the Gallery will be open from 6-9 pm
The Gallery will be closed on Saturday, December 24th 

Samantha Marder curates a show of work which reflects a broad interpretation of the neurodivergent creative process…art illustrating the outward manifestation of internal chaos, non-linear thinking, conflicted sensibilities, and unleashed absurdity.

Nov 3rd – Nov 23rd. Opening Reception: Saturday, November 5, 6-9 p.m. Closing Reception: Thursday, November 17, 6-9 p.m.

AUGUST 28 – OCTOBER 20
EDGE – X BONNIE WOODS
WHAT TO MAKE OF ALL OF THIS? – WALTER KOPEC

Opening Reception: Sunday, August 28, 3-5 p.m.
Third Thursday Receptions, September 15 and October 20, 6-9 p.m.
Gallery Hours: Fridays and Saturdays, 2-6 p.m.,
and by appointment (tel/text 857-335-3100)

X Bonnie Woods is showing new works on folded paper in a Boston solo exhibition entitled EDGE.  Irregularly shaped paper constructions are marked by Sumi ink, reaching across walls and ceilings. The map-like images offer a geography of puzzle parts and emphasize the essence of each painting’s edge. Originating from the artist’s aerial sketches of islands, landforms, and snowforms, these works were completed in Boston and Berlin, Germany, between 2020 and the present. The artist works and resides in both cities.

What to make of all of this? It’s an open-ended question, with few, if any, concrete answers.

With a strong conceptual, graphic sensibility, Walter Kopec’s work, through minimal, appropriate materials and economical gesture, uses strategies of puzzle-making and linguistic tricks to create visual/verbal connections, each component fortifying, reflecting or complementing the other.

Using wordplay and idiomatic expressions, irony and humor as a springboard to invite immediate recognition and general accessibility, each “visual poem” challenges the viewer to consider a more layered and nuanced response, asking for consideration beyond the obvious and how carefully parsed language, leads to doublespeak, irony and innuendo, and in the worst case… hypocrisy. http://www.walterkopec.com

July 21 – August 20
STILL FRIENDS

Opening Reception: Thursday, July 21, 6-9 p.m.
Closing Reception: Thursday, August 18, 6-9 p.m.

Join us for our annual summer blockbuster Friends show celebrating the art of 34 friends, old and new. 2022 is a blockbuster!

B Amore, Ian Babylon, Joe Caruso, Luke Bruffee, Lyn Cardinal, Sandrine Colson, Susan Deitrich, Philip Gerstein, John Kennard, Rick Dorff, Leigh Hall, Nan Hockenbury, Sandra Joneck-Schiff, Walter Kopec, Charlene Liska, Samantha Marder, Diane Modica, Marsha Odabashian, Bo Petran, Beth Plakidas, Brian Reardon, Dinah Ribarsky, David Riley, Joan Ryan, Anna Salmeron, Melissa Shook, Kelly Slater, Dominick Takis, Wallasauce, Eric Wallen, Paul Weiner, John Wilkerson, Dietmar Winkler, X Bonnie Woods

May 15 – June 25
Two Exhibits by Carmen Sasso:
“Connect the Dots” and “Fifty in Five”

Opening Reception: Thursday, March 5, 6-9 p.m.
Third Thursdays with Artist Talk: May 19 & June 16, 6-9 p.m.

Connect the Dots: Is a literal translation of orbs that co-join each other on a flat surface to create an image.  In adult discourse the phrase “connect the dots” can be used as a metaphor to illustrate an ability, or inability to associate one idea with another, to find the big picture or salient feature in a mass of data. Other times an orb is a sharks eye that connects to a swimming spot that floats on the sea, or artists who inspire each other over the centuries.

Fifty in Five: Is a portfolio collection of fifty paintings and drawings done with acrylic, pastel, and charcoal completed in five days while residing for one week at a Dune Shack in Truro MA., off Race Point on Cape Cod.

CONDITIONS ALTERED
March 4 – April 23

Opening Reception: Thursday, March 17, 6-9 p.m.
Closing Reception: Thursday, April 21, 6-9 p.m.

Dominick Takis and Bo Petran, focusing on medium and materials on canvas, explore a sense of where nature goes in an environment changed by human activity, suggesting something that lies beyond, always in the process of becoming.

Conditions Altered

Dominick Takis and Bo Petran
March 4-April 23, 2022
Opening Reception: Thursday, March 17, 6-9PM
Closing Reception: Thursday, April 21, 6-9PM
Atlantic Works Gallery
80 Border Street, East Boston, MA 02128

Contact; contact@atlanticworks.org; 857-302-8363
Artists:  Dominick Takis: nicktakis@hotmail.com, Bo Petran: bopetran@comcast.net

Reviewer: B. Amore; amoreb@earthlink.net  917-748-3661

Dominick Takis and Bo Petran are two artists in love with materiality. Takis is a lover of nature, obsessed with the qualities of lichen, its texture, colors, and shapes. He makes use of actual lichen as well as creating lichen-like textures through means as varied as spray foam, caulking, screws, and paint. A sense of mystery abounds in the built-up layers, and they continually entice the viewer to look even deeper.

His knowledge of color relationships is a key. In the sometimes-dense thicket of the wall reliefs, bright elements catch the eye. Often, they are tesserae, small mosaic-like squares in primary colors of red, blue, or yellow, that glow out of the strata of lichen and branches, as in Altered #3 where they are like dots of blue sky around the central cloud of a bee’s nest. At other times, Byzantine or Renaissance faces will appear as if out of a fog of history, to surprise us with the contemporaneity of their gaze, reminding us that we may not be as distant as we think.

There is an iconic or shrine-like quality to the work which is quite arresting. They are three-dimensional palimpsests, each layer causing us to look beyond the surface of what lies before our eyes, discovering more loving touches, more surprises, more mystery created by this painter-sculptor who is clearly in love with nature, paint, history and a deeply rooted European sensibility.

Petran’s works, carefully chosen for major impact, are larger canvases that punctuate the white walls. The surfaces of the paintings are highly sculpted in acrylic medium. In  Untitled #3, the black and silver surface is roiling with energy. The rhythm of the motion over the entire canvas is a tour-de-force of painting, with the artist in skillful control.  Sensuous and full of motion, the surface looks like molten metal.

Untitled #2, in silver tones, is more lyrical. The patterned painting has a lighter touch and is enlivened by what looks like flecks of iridescent metallic powders. In Untitled #1, a field of flowers, is delicately configured. The petal-like shapes stretch before the eye, filling the landscape of the mind with a hopeful feeling.

The textures of Untitled #4 rise off the surface as if they might flutter up in a soft wind. Each one is carefully delineated, both contrasting and blending with the entire field. Two hanging sculpted forms, White Flower and Grey Flowers, animate the gallery space and dance with the branches of Takis’ energetic creations.

Conditions Altered is a reminder of the constant changes present in our lives, particularly during the pandemic, and brings attention to the inherent beauty that can be discovered by an adventurous eye. The sense of exploration and excitement of both artists is palpably present. The collection of works is a perfect blending of the transition from winter to spring and well worth the visit to the Atlantic Works Gallery, at the edge of Boston Harbor in East Boston.

NEW WORK

Group Show by Member Artists
January 28 – February 19

Exhibition Reception: Thursday, February 17, 6-9 p.m.