Group Show by Member Artists
January 28 – February 19
Exhibition Reception: Thursday, February 17, 6-9 p.m.
Exhibition Reception: Thursday, February 17, 6-9 p.m.
We wanted to share a little sample of some of the FABULOUS art continues to be submitted for this year’s Biennial Project Biennial to be presented on our website and via video projection at the Venice Biennial 2022 Opening week!
Feast your eyes on a selection of this beautiful work:
Lorraine Motel, No Justice No Peace, and Seat at the Table, by Al Harden
Eternal frost and Scents for Forgotten Countries, by Anna Novakov
Arctic Pending: Surrender and Arctic Pending: Arctic Thaw, by Eileen Wold
Gaia Rise, The Perseids, Melancholia and Rape of Medusa, by Artemis Herber
Adinkrahene and Cymbal and Machine Noire, by Marcus Brown
John the Baptist, copresence and A Glorified Approach to Violence, by Matthew Keller
Ofrenda – a walking project and For The Forest, by Maria Villanueva
Memories of Family and Stories Told and Stories from the Photo Album, by Wendell Brown
TWENTY21
IAN BABYLON
and the Atlantic Works Gallerists
december 3 – january 8
exhibition reception: thursday, december 16, 6-9 p.m.
details/updates: ianbabylon.com
An Abundance of Caution: The Biennial Project
The latest antics of the phenomenally charismatic and widely feared artists of The Biennial Project, in which the space of Atlantic Works Gallery is reconceptualized as a dynamic workspace to pay homage to (and improve upon) iconography from global popular culture relating to The Biennial Project’s relentless examination of the quest for immortality and stardom within the art world.
Opening Reception/Photo Shoot: Saturday, November 6, from 6-9 pm.
There are many ways to interpret what “environmental effects” can be. Most people see the environment as the natural world where all living beings live. In that context, “environmental effects” would refer, in our view, to any influence human would have on the natural world, either beneficial or detrimental. Another way to look at what “environmental effects” refers to is the surrounding or conditions that affects humans as they grow or as they live their life.
Sandrine Colson is looking at “environmental effects” as being the changes happening in our earth due to human influences. Her pieces are made up of a mix of flowing colors with textural effects using different acrylic pouring and mixed media techniques showing to us how nature (air, water, earth and fire) evolves as humans continues doing their thing, affecting their surrounding and the seasons in detrimental ways from the microscopic to the macroscopic. A lover of oceans, she constructed a message to all in her display “under the sea,” informing us how pollution and especially plastic affect us and the oceans.
The natural and built environment are our connection to the underlying reality of existence. Due to our actions, intentional or not, our physical environment is changing in ways that make our very existence, and those connections, problematic. Our collective lives are out of balance. In this show, George Shaw continues and complements Sandrine Colson’s explorations from a different perspective. George’s sculpture is a combination of wood panel, paint, glass, metal and found objects.
Opening Reception: Saturday, October 9, from 6-9 pm.
Third Thursday Celebration (Meet the Artists): October 21, from 6-9 pm.
Is it the journey or the outcome that draws you in?
For artist Kristen Freitas, it’s the journey — the process of creating that brings her joy and excitement. During the month of September, Kristen Freitas’s PROCESS explores just that through her fluid painting series and work from invited artists.
Exploring colors and textures have always been a part of Freitas’s work. Her current series dives deeper and explores her new love of fluid painting. The layering and mixing of colors create varying effects — all of which are created instantly during the painting process. Watching the colors and composition mysteriously unfold as the paint pours onto the surface makes the journey the most fascinating part for Freitas.
Opening Reception: Saturday, September 4, from 6-9 pm.
Third Thursday Celebration: Thursday, September 16, from 6-9 pm.
Gallery Hours: Fridays and Saturdays 2-6pm
For information or private appointment contact 857-302-8363 during gallery hours.
A group show of work by Gallery members and our friends, featuring The Dead Mask Project, an international collection of photographs curated by member X Bonnie Woods.
Opening Reception: Thursday, July 15, from 6-9 pm.
Closing Reception: Thursday, August 19, from 6-9 pm.
Gallery Hours: Fridays and Saturdays 2-6pm
For information or private appointment contact 857-302-8363 during gallery hours.
Socially distanced Opening Reception April 3, 2-5 pm
It’s supposed to be a beautiful sunny afternoon in Boston and particularly lovely on the waterfront in East Boston. Guests can gather outside, socialize and schedule visit time in the gallery 8 people at a time. Artist Marjorie Kaye and Christine Palamidessi will be in the gallery to greet you, converse, answer questions.
(PS There’s parking)
Masks and social distancing required. Gallery will be monitored to limit visitors at any given time.
Gallery Hours: Fridays and Saturdays 2-6pm or by appointment, (857-302-8363)
Marjorie Kaye, SHAPESH, GODDESS of FIRE (Canaanite), 2020, Gouache on Bristol Mounted on Panel
No matter how frightful the weather may get outside this winter, at Atlantic Works Gallery it will be warm and toasty —
with a show dedicated to the joys of intense and vibrant color.
Reception times and closing TBA
Masks and social distancing required. Gallery will be monitored to limit visitors at any given time.
Gallery Hours: Fridays and Saturdays 2-6pm or by appointment, (857-302-8363)